![]() Check out the video to see this technique in action. Then, use the Brush tool with white and paint over the area you want to fix.įinally, adjust the Opacity to find the perfect balance. Invert the mask to make it all black, making the adjustments invisible. If you want to apply these adjustments to a part of the image, you can use the layer mask. Then, use the Hue and Saturation sliders to fix the color cast. Use the sliders at the bottom of the panel to fine-tune the range and determine how hard or smooth you want the transition. Then, use the hand icon to sample the color you want to adjust. Red to Orange to yellow to neutral to blue color space the way color is represented RGB red, green, blue color space CMYK (Cyan, Yellow, Magenta, Black) optimized for printing purposes Grayscale Uses true black, true white, and all shades of gray in between color space Opening RAW pictures Some editors require you to edit the pictures in a separate RAW file converter first before entering the main editor.Start by adding a Hue/Saturation adjustment layer. Color Temperature color of light described in degrees Kelvin Different Color Temperatures - sunny day (5000 - 6500K) Diffuse Why you need more tones for contrast? Due to natural contrast issues ie: light guy wearing light tshirt Color Light being color neutral, warm(yellow/orange), or cool(blue). Backlighting Contrast Difference between highlights(light areas) and shadows(darks) Different types of contrast High Contrast: Light striking front at an angle emphasizes depth and surface texture Soft: light diffused or interrupted that produces less contrast, less defined edges, and fewer dark shadows Direction The direction of the light that emphasizes the surface texture of a subject. Hard: uninterrupted light that produces good pictures with contrast and sharpnessĢ. Supplementary Light flash or studio lights Intensity -strength of the light Quality -Hard or Softġ. available light The natural and/or artificial light that already exists at a location. Take your pic for sake Natural light Light that comes from the sun. Manual flash mode: shutter to correct synch speed (1/125,1/60 or slower), f-stop according to distance from subject to flashĦ. Autoflash mode: exposure compensation scale to minus if close up, plus if far away Decide if you like the characteristics of the subject lighting works for still images subject lighting 1. Manual mode: adjusting one stop and shutter speed incrementally Autoexposure Bracketing (AEB) -varied the bracketed exposures up to two or more stops one stop more light, one stop less light When to use bracketing -in challenging exposure situations or critically important subjects Some bracketing settings -Aperture-priority subject directly Bracketing exposure making three or more exposures of a scene at a range of f-stop and shutter speed settings long shutter speeds When to use AEL -when trees and sky, point down to trees (no sky) using prime lenses, not zoom lenses Autoexposure Lock (AEL) -Locking in the exposure Why you have image noise -high ISO set camera on tripod for slow shutter speed wide lens aperture or slow shutter speed ![]() filling in light to subject (fill flash, extra lighting) How to avoid low light without flash -high ISO (800,1600,3200 or higher) too much sky can backlit a subject How to avoid backlighting -different position shooting in low light Backlighting Lighting from behind to create a silhouette light brighter in back than front Issues with backlighting -subject is underexposed Common issues with exposure -backlighting
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